She works with well-known structures and shapes which she develops further according to her own rules of rhythm and proportion. Her objects, weighing several tons, resemble grounded bolders. The choice of the material, its durability and the corresponding notion of longevity has a force that runs counter to the contemporary Zeitgeist of today’s fast-paced world. Pasche prefers esthetics to provocation. Traces of time (2011) is a representative piece of Pasche’s focal preoccupations of carving the inside.